Gates template take up, seems like a giant waste of space and hardware. Other than that I'd say experiment with mapping any buttons you don't use while DJing to an effect or something on one deck or the other. So in the DJ version of my 40 template, you have 4 tracks on each deck rather than 8 still twice as many as the ill. We have migrated to a new forum platform community. Any technical tips or personal experience as to how to set it up? Mainly that it crashes when I try to use the effects Obv just came out, so hopefully all the kinks are worked out soon! But, if I can use it while DJing, then this is a must have!
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Ableton Forum
If you're that concerned about clipping, get your volumes right ahead of time. Only 6 years old. Any technical tips or personal experience as to how to set it up?
That is if you choose not to just buy a pre-made solution of course. Music stems are allocated to 2 groups which allows DJ style crossfading between tracks or elements of tracks.
Gates's template is designed to drag in clip packs on the fly during a set, which means searching on your laptop for tracks to drag in, one at a time. Users browsing this forum: If you click the small circle X in the bottom right of Ableton, it will bring up the crossfader section.
Eye candy that no one else can see except maybe at house parties seems like a big trade off for half of the controller's buttons. That is just too tempalte to pass up.
Then the crossfader will actually work like a real DJ mixer crossfader would.
I am super impressed by the quality but unfortunately my lappy cannot run the APC40 template for any extended period of time without CPU usage blowing up on me, even with my buffer as high as it will go. Quick Link to Feedback Forum. Akai ableton Ableton creative Ableton effects Ableton Live Ableton live help ableton live tips cj live training ableton live tutorial ableton live workflow ableton tutorial external controller ableton how to use ableton how to use ableton live external controller DJ Controller midi controller ableton external controllers.
EQ and FX for both decks are always available on the knobs. Making your own MIDI remote scripts is only for the headstrong.
DJ Template Suite
Log In Create Account. Whether you are a producer, DJ or live performer, the APC40 can be tailored to your needs in a variety of ways. Click HERE to read them.
I would recommend sending the left 4 tracks to Deck A, the right 4 tracks to Deck B, then map the cross fader to the. I mix in Serato, but produce in Ableton.
His is a much more DJ oriented setup for playing full tracks as single clips whereas mine is more Producer oriented gatfs playing with a bunch of clips at once; such as when you have stems to a song, want a ton of launch points on a full track, or have a bunch of different samples that you want access to.
Users posting content here, do so completely at their own risk. Either way, nice work Mr. Mine is designed to import songs ahead of time, and provide easy navigation around them so you don't need to even look at your laptop during a set. Biography written in 3rd person on soundcloud OBVI.
And again, fantastic job with the templates and such Mr. Find out more about Glitch Factory here: I have all the knobs on the left of the APC mapped to EQ and effects for the left Deck A, and all the knobs on the right are for the right deck. The majority of his work is taken up as a trainer and sound designer for London-based software company FXpansion but he also likes to write music and articles and is a Humble Audio Quad Operator.
I was on the fence about picking up the template after watching the videos, thinking it might be fun just to do some live edits in Ableton, and bounce them down to add to my crates.
Mainly that it crashes when I try to use the effects Obv just came out, so hopefully all the kinks are worked out soon!
• View topic - APC40 DJing
I am thoroughly enjoying your e-book as well. Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Any help will be appreciated! He spent 15 years as a freelance musician writing for television before side-stepping into music software production.
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